Author: Heather Eck (OVAC Intern)
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| Travis Hummingbird, Making, 2011, Collage on Paper, 12" x 8" |
Hummingbird did not always know this collaging technique, or “decollaging”so to speak. His research of this technique gave way to an exploration initself, which is where Making foundits niche. Hummingbird further informed me of his Concept/OK work and the intent behind it.
Watching a one-time coworker draw and my own enjoyment inthe art-making process played roles in the making of this work,but I'm not eager to fence in the viewer's interpretation and solelyfocus on that. My initial drive to create may arise from specificimpulses, but my main interest lies with creating something moreopen-ended, something that the viewer can question.
I realize that thisstance can seem noncommittal, but I would rather risk that than limit artworkto a strict interpretation. (That said, even given the loose manner inwhich the work was formed, I want it to be read beyond a purelyformal interpretation.)
Q: Do you normally work in collage or are you drawn to othermediums?
Q: What materials went into the creation of this piece?TH: Magazine pages, black and whitephotocopies, a color photocopy with acrylic ink painted ontop, glue sticks, and Yes paste.
The Concept/OK: Art in Oklahoma exhibition welcomes to the public through February 16, 2013 at the new Tulsa Arts and Humanities Council’s Hardesty Arts Center. Admission is free of charge. See www.concept-ok.org for more information.
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